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Alternative Albion
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Heart of Albion's new imprint Alternative Albion was launched in June 2004. The aim is to provide a series of studies of aspects of British 'counter culture'. Some of these will be essentially historical accounts and others will discuss and develop current alternative ideas.
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JOHN MICHELL
John Michell wrote about subjects as diverse as flying saucers, ley-lines, corn circles, traditional measures, British eccentrics, Shakespeare's authorship and sacred geometry. His books, together with many personal contacts among the 'upper crusties' and pop stars of the 60s and 70s, quickly made him the herald of the Age of Aquarius – appropriately, as John was born under the sign of Aquarius.
Without John Michell Glastonbury might still be just another Somerset town, many aspects of alternative archaeology might never have arisen, and the New Age would lack many of its key ideals and ideas.
John wrote about Atlantis and Avalon and to many he seemed to be a reincarnation of Merlin – or even a Time Lord. Erudite yet excellent company, his evasive and sometimes contradictory opinions – for example, he referred to himself as a 'radical traditionalist' – gave the impression of a Mercurial trickster. Or was he instead a shaman with a wily fox as a spirit double, as friends' unexpected sightings of unusual foxes around the time of his death seem to aver?
This book is not a biography, but a celebration of John's insights and far-reaching influence, revealing his pivotal role in alternative culture over the last five decades.
Paul Screeton first met John Michell in 1970 and they remained friends until John's death in 2009. Paul re-founded The Ley Hunter magazine in 1969 and published Quicksilver Heritage, a pioneering overview of 'earth mysteries', in 1974. Since 1985 he has edited Folklore Frontiers magazine. This book is his tenth publication.
ISBN 978-1-905646-16-6. May 2010
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FLYING SAUCERERS
Since August 1945 the Western world has been fascinated with the notion of 'flying saucers', subsequently termed 'Unidentified Flying Objects' or 'UFOs'. Numerous 'experts' have offered explanations, often involving extraterrestrial entities. These early experts promoted their beliefs enthusiastically. Some were undoubtedly sincere – although somewhat maverick – while a few might have been intentional 'psychological con men'.
The various opinions of these 'experts' generated extensive tabloid and media attention in the 1950s and 60s with the result that reported sightings became wrapped up in any number of beliefs and legends. David Clarke and Andy Roberts carefully unpick the origin of these beliefs, looking carefully at the key individuals involved. This reveals how the paranoia of the Cold War era generated its own myths and also shows that many aspects of the subsequent 'New Age' ideology had their origins in the UFO cults.
Flying Saucerers is not written for people who believe in UFOs. Readers are not expected to believe in their 'nuts and bolts' existence, still less the prospects of a Close Encounter of the Third Kind. Instead it is both a social history and a history of ideas, revealing how the notions of a few inspired 'experts' evolved into one of its most pervasive modern day myths.
David Clarke is a British university lecturer. He obtained his PhD in 'Folklore and Cultural Tradition' in 1999, and now teaches Journalism Studies at Sheffield Hallam University. He also lectures on the subjects of supernatural belief and urban legends at the National Centre for English Cultural Tradition (part of the University of Sheffield).
Andy Roberts is a veteran fortean writer, researcher and broadcaster. He has written eight books on the subjects of UFOs and folklore and has contributed to many journals including The Guardian and Fortean Times.
'The best book on the flying saucer phenomenon for 20 years, by the two most sane commentators on the subject.' Paul Screeton Folklore Frontiers '... there is no doubt in my mind that Flying Saucerers is one of the most important ufological contributions of the last few years; and it is vital reading for anyone and everyone that has an interest in belief systems, how beliefs, ideas and theories originate, grow, mutate, become accepted, and are then perceived as hard fact... ' Nick Redfern See Nick Redfern's online review 'Invaluable insight into a key period of ufology 9/10.' Peter Brookesmith Fortean Times '... within a couple of pages I was hooked! [...] Very good.' D.J. Tyrer Monomyth Supplement
ISBN 978-1-905646-00-5. 2007
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THE MYTHS OF REALITY
Simon Danser asks us to think of myths as like the lenses in spectacles
– we see the world through them, but rarely see them in their own
right. He then systematically focuses on the myths at the core of the
belief systems which create every aspect of what we take to be
reality: religion, politics, commerce, science, knowledge,
consciousness, self-identity, and much else that we take as 'given'.
This book reveals how reality is culturally constructed in an ever-
continuing process from mythic fragments transmitted by the mass
media and adapted through face-to-face and Internet conversations.
'There is much here to ponder on, to chew over, to debate and to reconsider. It's a way to understanding ourselves, our beliefs and our desires, the ways in which we create our own realities – and, therefore, how we shape our own future.'
'Overall, a very thought-provoking book that, by showing the way that contemporary myths work, effectively deconstructs the world-view that leads to fanaticism.'
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STONEHENGE
"This is a fine book in every way, well written, carefully researched and with a remarkable story to tell."
"... the classic history of the [Stonehenge] festival..."
This innovative social history looks in detail at how the summer solstice
celebrations at Stonehenge have brought together different aspects of British
counter-culture to make the monument a 'living temple' and an icon of
alternative Britain. The history of the celebrants and counter-cultural leaders
is interwoven with the viewpoints of the land-owners, custodians and
archaeologists who have generally attempted to impose order on the shifting
patterns of these modern-day mythologies.
The story of the Stonehenge summer solstice celebrations begins with the Druid
revival of the 18th century and the earliest public gatherings of the 19th and
early 20th centuries. In the social upheavals of the 1960s and early 70s, these
trailblazers were superseded by the Stonehenge Free Festival. This evolved from
a small gathering to an anarchic free state the size of a small city, before its
brutal suppression at the Battle of the Beanfield in 1985.
In the aftermath of the Beanfield, the author examines how the political and
spiritual aspirations of the free festivals evolved into both the rave scene and the
road protest movement, and how the prevailing trends in the counter-culture
provided a fertile breeding ground for the development of new Druid groups,
the growth of paganism in general, and the adoption of other sacred sites, in
particular Stonehenge's gargantuan neighbour at Avebury.
The account is brought up to date with the reopening of Stonehenge on the
summer solstice in 2000, the unprecedented crowds drawn by the new access
arrangements, and the latest source of conflict, centred on a bitterly-contested
road improvement scheme.
'Stonehenge Celebration and Subversion contains an extraordinary story. Anyone who imagines Stonehenge to be nothing but an old fossil should read this and worry. [This book is] ... the most complete, well-illustrated analysis of Stonehenge's mysterious world of Druids, travellers, pagans and party-goers'.
Why 'Alternative Albion'?
The name 'Alternative Albion' draws upon the use of Albion as an ancient poetic name for pre-Roman Britain, probably based on the Latin albus ('white') as a reference to the colour of the chalk cliffs on the south coast, which became alba in Gaelic. As early as the 1st century AD Pliny wrote: Albion ipsi nomen fuit cum Britanniae vocarentur omnes.
Albion became personified as a primaeval giant who roamed Britain. G.K. Chesteron recognised this 'elemental and emblematic giant' in the poetry of Chaucer, 'with our native hills for his bones and our native forests for his beard... a single figure outlined against the sea and a great face staring at the sky.' Albion also features in the poetry of William Blake, suggesting an English utopia. In Jerusalem he wrote 'All things begin and end in Albion's ancient, Druid rocky shore'.
In 1974 a group of London-based activists created the idea of a network of independent collectives and communities under the name Albion Free State, loosely based on the Dutch 'Orange Free State' movement founded in 1970. George McKay in Senseless Acts of Beauty (Verso 1996) considers that Albion is the alternative Britain to that of industrialism, privilege and over-mighty government; ideas that seem to be increasingly relevant in the early 21st century than they were in the 1970s.
For more Albion-related associations see the Wikipedia entry for 'Albion'.
Why 'Heart of Albion'?
The term 'Heart of Albion' was apparently first used by Paul Devereux in 1975 in the title of two articles about Leicestershire (a heart-shaped county situated just above the middle of England) written for The Ley Hunter magazine. Back in 1989 when Heart of Albion Press was founded with the intention of publishing titles about Leicestershire local history this metaphor seemed particularly appropriate, especially as Wymeswold (where Heart of Albion was founded) is situated in the 'cleft' of the heart shape. Since 2008 Heart of Albion has been based in Market Harborough, which forms the bottom point of the heart-shape.
See also Explore Books and Heart of Albion's general interest titles
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