|
Bottesford's effigies
Back in the 1990s one of the first 'major' publishing projects that I was involved with required taking photographs of every sepulchral effigy in Leicestershire and Rutland. All the historical research had been completed by Maz Wade Matthews. But his photographs were taken on an Instamatic camera. Which didn't focus correctly.
Max and I would take a week off work every May and drive from church to church taking photographs using better cameras. After many years (!) the project was completed. By then it was possible to put a 'web site' on a CD-ROM and hope to sell it (better technology came along soon after… ). In 2025 I recoded the CD-ROM so it would work as an online website.
The most impressive collection of such effigies in Leicestershire and Rutland is at Botteford. There examples of every style from the thirteenth to seventeenth centuries. Locally only at Exton in Rutland has better examples, but there aren't as many.
The chancel of Bottesford church.
The effigies are of the Manners family (the Earls of Rutland, with their seat at Belvoir Castle) and their antecedents.
This is the direct link to the Bottesford page of Max's effigies web site.
These are the people depicted:
William Albini or Robert de Roos (1236 or 1285)
'Fair Maid of Normanton' (14th century)
William de Roos (1414)
John de Roos (1421)
Margaret de Roos (1439)
Thomas Manners, 1st Earl of Rutland (1544)
Henry Manners, 2nd Earl of Rutland (1563)
Edward Manners, 3rd Earl of Rutland (1587)
John Manners, 4th Earl of Rutland (1588)
Roger Manners, 5th Earl of Rutland (1612)
Francis Manners, 6th Earl of Rutland (1632)
George Manners, 7th Earl of Rutland (1642)
John Manners, 8th Earl of Rutland (1679)
Thomas White (1698)
If you're not already familiar with these splendid sculptures then do visit Bottesford church.
When you arrive look up at the fascinating gargoyles.
One of them is ringing a pair of handbells.
Inside the nave are some splendid corbels and 'springers' in the 'V' of the arches.
This is a demon coming out of someone's mouth. We know it's a demon because
it has a second head at the end of the tail – the normal way for medieval
artists and carvers to depict demons.
There is also a rare seventeenth century font.
Back to top of this page Back to home page
This website does not gather or store any visitor information.
Copyright Bob Trubshaw 2025
No unauthorised copying
or reproduction except if all following conditions apply:
a: Copy is complete (including this copyright statement).
b: No changes are made.
c: No charge is made.
www.hoap.co.uk/chronicle
|