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Medieval gargoyles of the Vale
Traces of original paint – two shades of brown – have survived around the eyes of a springer in the chancel at Goadby Marwood. I am not aware of any surviving original paint from within the Vale of Belvoir. (Photograph by David Jarram.)
As with all other parts of the East Midlands and Lincolnshire, the parish churches of the Vale of Belvoir are often home to a surprising wealth of medieval sculpture. In two other Chronicle entries I've described Anglo-Saxon and Romanesque carvings in the Vale. This entry is about sculptures carved from the thirteenth to sixteenth centuries. While I've used the word 'gargoyles' in the title strictly 'gargoyles' are the usually-grotesque carvings which help drain water from roofs in the days before guttering and downpipes. Medieval carvings – sometimes, but not always, grotesque – can be found either side of windows and doorways (they are known as 'hoodstops') and as a frieze underneath the roof (known formally as a 'corbel table'). Inside the church carvings can also be found around windows and doors, on the capitals of the columns forming the arcades either side of the nave and in the 'springers' between the arches of such arcades. Look even higher in naves and aisles and you will see carvings on the corbels holding up the roof timbers. And there may be wooden carvings too, such as roof bosses. Because the roofs of most parish churches were raised in the middle of the fifteenth century the corbels and bosses associated with those roofs must date to the fifteenth century, even if the roof has been restored or replaced more recently. Carvings on the outside of churches are most likely to be 1380 to about 1420. This YouTube video explains why and this free PDF goes into more detail. In this Chronicle entry I'll simply draw attention to a selection of carvings in the Leicestershire part of the Vale of Belvoir. I hope to add some from the Nottinghamshire parishes in due course. The reason for the Leicestershire bias is that back in 2009 I set up a voluntary scheme to photograph all the figural carvings in Leicestershire and Rutland churches. A significant number of volunteer photographers 'shot' every figural carving in every church which had such sculptures. By 'figural' I mean anything that looks human, animal or all the monsters in between. The simple instruction to the volunteers was 'If it's got eyes, shoot it! More about the project here. Although these carvings are now bare stone we know that originally they would have been painted. This YouTube video discusses original colour (though none of the examples are from the Vale of Belvoir). I am grateful to all the project volunteers for giving permission to use their images on this web page. Uncredited photographs taken by Bob Trubshaw in the late 1980s.
A very impressive lion on a corbel inside the church at Long Clawson.
If you could afford a sculptor that good you could probably afford to have the carving gilded. Photographic simulation. Four of Bottesford's many medieval carvings. (Photographs by Neil Fortey.)
Square headdresses were in fashion for women between 1380 and about 1410. So this hoodstop was carved about that time – or maybe a little later if the stonemason wasn't fashion-conscious. It also tells us that other, less easily dateable, hoodstops in a set were carved at the same time.
This gargoyle depicts a bridled bear. Such animals would arrive as part of travelling carnival troupes with musicians, contortionists, fools, jugglers and such like. Depictions of most of these can be found on the outside of churches. Ryhall in Rutland has an especially good set.
Probably the oldest surviving depiction of a handbell ringer in England.
A fifteenth century corbel depicting a man with a demon coming out his mouth.
One of a set of splendid fifteenth century roof bosses in the nave of Scalford church.
A foliage-sprouting tongue-poker in the roof of the porch at Scalford. In the 1930s these foliage-sprouters were erroneously called 'Green Men', an error which has been often repeated since.
One of several splendidly monstrous gargoyles high up on the church tower at Hose. Best guess is they're fifteenth century. (Photograph by Steve Harris)
Another virtuoso fifteenth century gargoyle gracing the tower at Plungar. (Photograph by Neil Fortey.) And now for two decidedly 'politically incorrect' images:
A woman wearing a scold's bridle inside the church at Muston. Other examples are known from elsewhere in Leicestershire. (Photograph by Neil Fortey)
Last but not least. I'll spare you any mooning men as they are mostly found around Oakham. But Harby's corbel table has this chap sucking on something known then, and now, as a stop cock. So yes, it is a depiction of a c*ck s*ck*r. (Photograph by Neil Fortey.) These two free PDFs and five YouTube videos will explain more about medieval carvings – rude and otherwise. Mawming and Mooning: Towards an understanding of medieval carvings and their carvers
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