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Anglo-Saxon sculpture in the ValeBy the tenth century stone sculpture was being carved in England. It is generally classified as 'Anglo-Saxon sculpture'. But in the Midlands the decoration would be better described as 'Anglo-Scandinavian'. Indeed in the Vale are the most southerly examples of sculpture decorated with motifs more frequent in Ireland and Scandinavia. This is termed 'Hiberno-Norse'.There is an online corpus for Nottinghamshire here but the information for Leicestershire is currently only available in print as the Corpus of Anglo-Saxon Stone Sculpture Vol.15 East Midlands, (British Academy 2026). This entry was originally prepared before the publication of the East Midlands volume so was substantially revised September 2026. Harston's Anglo-Saxon carvingsMost of what has survived is fragments of grave-covers and churchyard crosses. Examples of both can be found at Harston in the south-east of the Vale.
Part of a tenth century Anglo-Saxon grave cover, now in the east wall of the chancel wall at Harston.
A more complete tenth century grave marker now in the porch at Harston.
Another grave-cover has been reused as a windowsill inside Redmile church. A badly-eroded cross-shaft fragment is now inside Screveton church. An impressive grave-cover is inside Hawksworth church while a fragment of a grave-cover is inside Shelton church. The Vale's hogback grave covers
Hogbacks at Hickling (top) and Shelton (above).
More dramatic are the early tenth century 'hogbacks' at Hickling and Shelton. These are the most southerly examples of Scandinavian-style decoration. The term 'hogback' was invented to describe uniquely British stone grave-covers dating from about 870 to 954. They have rounded ridges and convex sides. Although looking somewhat like a pig's torso they were based on the shape of Scandinavian houses at the time. Indeed some hogbacks have tile-like motifs on the roof, although not the examples in the Vale. Just maybe the house was thought to be a specific one: Valhalla, the hall where dead warriors spend their afterlife. There is rarely any explicitly christian symbolism on hogbacks, although unusually there is a cross on the Hickling hogback. Instead they are decorated with interlace and a muzzled bear at each end, as is the case at Hickling. This hogback was made from a repurposed Roman column as there is a characteristic recess in one end. Inside Shelton church are large fragments of two grave covers although only one has the convex ridge associated with hogbacks. The background to the Vale's hogbacksMost likely hogbacks and crosses of a similar age predate the building of a church. In other words a 'churchyard' had been created, probably in the late ninth or early tenth century, with a nucleated village surrounding it. But the church was yet to be built.In parts of Britain with close contacts with Scandinavia – and that most certainly includes the Vale of Belvoir – bishops had considerable influence. But what we know of religious activities by secular people comes across as a very hybrid mix of 'heathen' practices with the christianity of the time. Only in the eleventh and twelfth centuries did christianity evolve significantly into the better-documented era of medieval monasteries, abbeys, cathedrals and parish churches. The historian David Stocker thinks each hogback commemorates an elite Scandinavian family with the head idealised as a 'warrior' – even if he was more likely to be a merchantile trader. Why a trader? Because hogbacks are most often found near to places where waterborne transport could land and trade. (See this entry on waterborne transport in the sixth century for further details.) Trade also neatly explains why there is 'heathen' symbolism. The family who erected the hogback may well have identified as christian. But they were traders. Regularly trading with 'heathen' sailors who brought – and took – goods across the North Sea. Hogbacks would have functioned as 'oath stones', bridging the gap between pre-conversion oaths sworn on heritage ('sacred') rings, swords and spears, and such like and christian oaths sworn on relics of saints. And yes there are reliquaries contemporary with hogbacks that look like houses, although not specifically shaped like the houses which inspired hogbacks. In later medieval times crosses were always erected in marketplaces to 'sanctify' the deals being made. The lower part of Bottesford's market cross survives.
Part of the Bayeux Tapestry with Harold swearing an oath to William while touching two reliquary shrines.
For everything you want to know about hogbacks (and considerably more) delve into this PhD thesis: Barnes, Jamie, 2019, Of Warriors and Beasts: The Hogbacks and Hammerhead Crosses of Viking Age Strathclyde and Northumbria, https://theses.gla.ac.uk/75049/1/2019BarnesPhD.pdf
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